Alma Tadema.org, welcome & enjoy!
|
|
|
Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings. Related Paintings of Canaletto :. | Venice:The Basin of San Marco on Ascension Day | London: Seen Through an Arch of Westminster Bridge df | View of the Bacino di San Marco (St Mark s Basin) | Veduta del Canale Grande in Richtung auf den Hafen von San Marco | Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 1) df | Related Artists: Filip Andreevich MalyavinRussian, 1869-1940 CHARONTON, EnguerrandFrench Northern Renaissance Painter, ca.1420-1466 Katsushika HokusaiJapanese
1760-1849
Katsushika Hokusai Gallery
was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. In his time, he was Japan's leading expert on Chinese painting.[2] Born in Edo (now Tokyo), Hokusai is best-known as author of the woodblock print series Thirty-six Views of Mount Fuji which includes the iconic and internationally recognized print, The Great Wave off Kanagawa, created during the 1820s. Hokusai created the "Thirty-Six Views" both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji.[3] It was this series, specifically The Great Wave print and Fuji in Clear Weather, that secured Hokusai??s fame both within Japan and overseas. As historian Richard Lane concludes, ??Indeed, if there is one work that made Hokusai's name, both in Japan and abroad, it must be this monumental print-series...?? While Hokusai's work prior to this series is certainly important, it was not until this series that he gained broad recognition and left a lasting impact on the art world. It was The Great Wave print that initially received, and continues to receive, acclaim and popularity in the Western world.
|
|
|
|
|
|
|
|
All the Alma Tadema's Oil Paintings
Supported by oil paintings and picture frames
Copyright Reserved
|